![]() We think of sound effects as falling into 4 main categories: isolated sounds, specialty effects, foley sounds and background sounds. You can read all about this in our End User License (link below). That would be a perfect live performance use for our sounds. But you can use them for a live theatrical performance, for instance if there is creaking door or a thunder roll that occurs offstage. You can't use the sounds in isolation they must be mixed into other audio or visual elements in your project. You can't claim them as your own or distribute to other folks. ![]() There are some restrictions in how you can use our sound effects and music, but they all make sense. Check out our End User License (link below) for full details. You can make money by using these sounds in games or apps on web sites, in blogs or podcasts. You can use these free sounds in films, television programs and commercials, radio programs and commercials, public service announcements. More than 850 music tracks in a variety of styles from Comedy to Patriotic. We are still curating and adding new sounds to the site every month. And we aren't just sitting back to let it ride. More than 4,500 individual sound effects files, all fully catalogued so you can search or browse through our sound effect categories to find what you need. How you do this is up to you but please make sure that you include our website URL in your credit. You must credit .uk if you use our sound effects or music in your project. For Davis, it took thinking he might have lost it all to understand what it means to behold everything you will ever need.This web site provides free sound effects that you are able to use in any commercial, non-commercial, broadcast multimedia/audio visual production. His stripped-back songwriting approach leaves room for interpretation into each listener’s life, sharing lessons learned within the walls of his home. “As a songwriter, you’re only as good as the songs you put out, and so this EP is full of songs that mean a lot to me.”īy celebrating the commonalities of our inherently flawed humanity, Davis managed to derive hope from a period of crippling division. After a big fight with his wife, he reassured her with his commitment to being his best self for her on the closing track, “Trying.” “Lose You” was bred from one of the more serious conversations-thanking their wives by acknowledging the difficult nature of being married to someone in the music business. The EP continues to touch on heartbreak ( “Almost Maybes“), old flames (“Need To Not”), and enduring love ( “I Still Smoked”).īetter-suited for a stage performance than others, “Drink Had Me” came from a conversation with co-writers when they realized they were not alone in their elevated boozing when lockdown began last March. I took a chance and asked him to join me on the recording, and he said yes.” When I wrote it, I knew he could relate to the song’s message. Luke isn’t just a great entertainer he’s a great dad, a great husband, and a great friend, too. “We sat around the fire after a golf tournament one day, smoking cigars and talking about everything but music,” Davis recalls. The two musicians had first met at an awards show, then bumped into each other on the golf course throughout the years that followed. Written in an anecdotal form, the song reflects a conversation a younger Davis had with Bryan, another idol of his. The song, featuring Luke Bryan, is the jumping-off point of the EP. The 49-second intro melds into the simple-structured title track. With the help of a star-studded roster of fellow songwriters, including Hillary Lindsey, Ashley Gorley, Emily Weisband, and Josh Kerr, Davis transforms seemingly personal moments of strife into universal sentiments. Being married and having a child changes your outlook on a lot of things.”īuy Dirt is his attempt to re-center. ![]() ![]() “A lot of my previous songs were written while I was still single. “I always enjoyed artists that I could watch grow and watch their career evolve,” says Davis. Buy Dirt reflects a level of comfort within his personal identity that allows honesty to flow from his lyrical content. ![]() As a younger artist, his songwriting was geared toward the formulaic protocols of country radio. Here, he tackles topics he may not have been confident enough to do so on Home State. Produced by Paul DiGiovanni, Buy Dirt is the follow up to Davis’ debut album, Home State, and his self-titled EP released last Spring. I know how his songs make me feel, and I hope someone else can find that through this EP.” By giving them an excerpt, maybe they’ll dive further into the goodness that is John Prine. “Including ‘Blow Up Your TV’ is my way to show a younger generation his music. “I have stood by how much Prine meant to me, but I’ve never introduced that to my fan base,” he says. ![]()
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